I photograph between presence and disappearance

My photography is grounded in silence, in borders, and in attention. It is not a concentration on events, but on observation.

Observation and noticing
For me, photography is the art of seeing — not of seeking sensation, not of creating an event for the sake of the photograph, but of perceiving what others let slip by. I often turn to what is small, unnoticed, and fleeting. I look attentively, to understand, to grasp. My gaze is not loud, but focused. Each frame is an attempt to preserve a brief moment that might otherwise vanish.

The border point — spatial and emotional
I live and work on a border — between countries, cultures, and languages, between the inner and the outer. This subtle sense of the boundary is a constant motif in my work: between light and shadow, between presence and disappearance.

A restrained expression
My visual minimalism is not sterile — it leaves space for fortuity, which becomes part of the story. I allow events to enter the frame only when they are true.

The ethics of looking
I rarely interfere. I do not much like it when something is shown or staged for me. I prefer to observe and to notice. I allow the event to unfold. The camera is more my mirror than my weapon.

Photography as inner dialogue
Photography for me is also a conversation — with myself, with other people, with imagination, with memory, with the past. My frames become a diary without words, a record of inner echoes.

Poetry in the frame
In my compositions, I think in images. A silhouette becomes a sign, a reflection — a breath, a shadow — a question. It is poetry without lines.